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“He Must Have Thought it Was White Boy Day” Top 4 White Actors Sporting Locks and Rows

1784113Well there have definitely been harder Best of lists to compose. After extensive google and wiki searches, sadly these were the only white actors, not including females, I could find worth mentioning that have sported either cornrows or dreadlocks for a role. Not surprisingly, the sporting of such a hairstyle seems to bring out performances that are a bit over-the-top.  Could you blame them?

4. Edward Norton in Stone

stone2Weave some rows on the head of a smart and talented actor and you’re sure to get a smart and layered performance, one I might add that even out acts his co-star Mr. DeNiro. Unfortunately, or fortunately, depending on your point of view, once Norton’s eponymously named Stone discovers spirituality he also discovers a hairbrush and with that comes a more natural hairstyle as well as a more subdued character.

3. Johnny Depp in Pirates of the Caribbean

johnny-depp-pirates-of-the-caribbean-jack-sparrow-johnny-deppOf all the characters on this list, Depp’s hair seems to match his character’s personality the best. As if the crazy eyes, drunken swagger, and raggedy garb weren’t enough of an excuse for Depp to wildly emote for hours on end, add to that a disheveled crows nest that looks like it was styled by a barber as drunk as Captain Jack himself and voilà, the most iconic fictional pirate since Captain Hook is born.

2. James Franco in Spring Breakers

spring-breakers-james-franco-copyNow here’s an actor who, as if the cornrows weren’t enough, gets to sport a shiny gold grill too. No doubt, Franco was having a ball with this role. Clearly Harmony Korine (director) knew the comedy that would come gushing forth the second Franco was set free of any scripted dialogue. I imagine Korine’s direction going a little something like this, “Okay, James, your character’s name is Alien and you’re a drug dealing, gun toting, Scarface on repeat watching, Brittany Spears loving, gangster rapper. Got it? Good. Now, action!”

1. Gary Oldman in True Romance

GOldman_TrueRomance_GQ_18Jun12_rex_b_642x390It’s not even close. By far, this is the best performance by a white actor sporting locks or rows.

There are numerous memorable cinematic portrayals of pimps, and then there’s Drexl Spivey! This slick talking, dread lock wearing, self-identifying black man – who to this day holds the title for best line readings of a Quentin Tarantino written character – not only manages to get under the skin of his main adversary played by Christian Slater, but also manages to deliver the best monologue in the entire movie, which is no easy task considering both Christopher Walken and Dennis Hopper have memorable monologues of their own in the film.

The fact is there are only a handful of great actors out there who are able to so deeply immerse themselves into a particular role that even their greatest of admirers would struggle to identify them. Gary Oldman just happens to be one of these actors. Even after his name appears on the opening credits, assuring me that he is indeed in this film,  I still wasn’t sure which character Oldman was playing. My double-take didn’t occur until the cast credits at the end of the film when Oldman’s name was next to Drexl’s.

HONORABLE MENTION:

Nicky Katt in The Limey (Click here for picture)

Jared Leno in Panic Room (Click here for picture)

2013 Film Nights in The Park Summer Schedule

Dolores_Park_the_mission

Photo collage by Kristiana Schmidt

Summer is here, San Francisco, which means it’s once again time to grab your picnic baskets, blankets, sweatshirts, scarfs and friends and head out to the park for some free cinema. This year’s lineup begins on June 15th with Raiders of the Lost Ark (1981) and ends on September 21st with the latest James Bond film, Skyfall (2012). As usual, all movies swill be held on Saturdays and start at dusk.

Saturday, 6/15, RAIDERS OF THE LOST ARK (1981), Dolores Park

Saturday, 7/13, VICKY CHRISTINA BARCELONA (2008), Union Square

Saturday, 8/3, THE PRINCESS BRIDE (1987), Dolores Park

Saturday, 8/17, SINGIN’ IN THE RAIN (1952) Union Square

Saturday, 9/7, MOONRISE KINGDOM (2012), Washington Square Park

Saturday, 9/21, SKYFALL (2012), Dolores Park

5 Criminally Overlooked Music Docs of the Last Three Years

Hey you. Yeah you. I know what you’re thinking. You’re thinking, “I want to watch a documentary, and I want to watch one about a musician, and/or music, particularly one that was reviewed by Filmbalaya within the last three years.” You’re even probably asking yourself, “But where do I start?” Am I right? No? C’mon, you can admit it. You know I’m right.

Okay, even if I’m not right in my omniscient interweb predictions, let’s assume for the sake of this post that I am. With that being said, I have gone through great mediocre lengths to gather 5 reviews of music-focused documentaries from the past three years that might have been overlooked by the mainstream, and deserves its chance to shine. So, without further ado, I give you five criminally misdemeanorly overlooked musician-based documentaries. Read More…

Filmbalaya’s Guide to SFIFF56 2013

SFIFF56_lens_creative_logo-1The fifty-sixth incarnation of the San Francisco Film Festival is hot on the tracks for (at the time of this writing) another week and a half, and Filmbalaya is here to tell you what you should see and what you shouldn’t necessarily spend your time on! Our healthy and entirely objective star system filters out the fat from the meat like a tennis racket panning gold… A very, very finely woven tennis racket that is. You can’t always afford a perfect panning system.

Anyway, you get the idea. This will be a living document, much like (hypothetically) the Constitution and Keith Richards. Read More…

FREE Film Subscription Giveaway. Honestly, It’s Free!

843742_571416862870897_1936466580_oThey say the best things in life are free, and for once I can say they’re right. We at Filmbalaya are giving away 10 2-month trial subscriptions to a new online streaming service that offers a slew of independent films, ones in which you would be hard pressed to find on Netflix, Hulu, Amazon, or any other streaming platform out there.

So what does IndieFlix offer that others cannot? You don’t have to offer up any credit card info in order to start your 2-month trial and you can watch as many movies as you like, knowing that once you join your money will be distributed to the independent filmmakers themselves. So what do you have to lose?

To have your name entered in the giveaway e-mail us at filmbalaya@gmail.com with the word “IndieFlix” as the subject. Winners will be chosen at random from a virtual fedora by a magical entity.

For more info on what IndiFlix is all about check out the video below or follow the following links: Indieflix.com, facebook

We Have A T-Rex, And an Interview With One To Prove It!

409252Jurassic Park was released twenty years ago and many movie goers remember this film as a breakthrough in effects for movies. Jurassic Park raised the bar for the production of action/adventure film winning three Academy Awards in sound effects, sound mixing, and visual effects. The characters in the film spanned stereotypes of humanity and the plot has elements of betrayal, sacrifice, healing, and survival. The theme of the film is human intellect versus nature; the quest for science and reason to overcome nature and chaos.

For me to write a review or opinion piece that has already been written on the 20th anniversary of Jurassic Park could only demonstrate my lack of writing credibility. Instead, I used some connections I have from college and found myself deep in the Nevada desert to speak with a critic like none other. Self-named Georgia is a three year-old, fully conscious Tyrannosaurus rex. Georgia lives in a bunker beneath the Nevada desert. She is part of an overly elaborate experiment proving theories on consciousness, genetics, and physical pain. She spends most of her time reading and watching film when not being subjected to horrifying examinations. I was granted exclusive rights to her critique of Jurassic Park.

Follow the jump for this exclusive interview Read More…

A Basic Guide to Filmmakers of the Romanian New Wave

safe_image.phpFollowing my brief theoretical statement on the Romanian New Wave, I have assembled this collected basic guide to the Romanian New Wave. This is with the intent of encouraging people to see the films of this most note-worthy movement which has produced some films which I consider among the highest of filmmaking of the last decade, with forays as well into this decade.

The list is very likely far from complete, as this country’s output has only begun to find itself noticed by the rest of the world, and due to this, many of the good resources on the movement are only to be found in Romanian. Please feel free to comment if you find anything missing, or if you have any thoughts. Read More…

On The Romanian New Wave and Mundanity

08cp_outtakes_4mon_1136560gThe current era of Romanian film has been dubbed “The Romanian New Wave”. While the term is itself an obvious nod to the 1960′s French “Novelle Vague”, when separated from that context and placed in its own context, the term very well fits. Romania has produced a grand wave of rich cinema over the past decade and continuing to the time of this writing. However, I feel it’s important to recognize that, rather than lumping together all contemporary Romanian films venturing West of the Eastern Bloc in this category, as seems to be the desire, there is a notable style unique in the history of film and very particular to this section of them. Like that of the French New Wave, it is a small collection of auteur filmmakers creating films according to aesthetic philosophy, humanism, and love for the craft. As such, all of these films contain some similar stylistic elements, which can only lead one to believe that it is a veritable movement.

A strong stylistic point is that they all focus on faithfulness to the inherent reality of the scenes. There is little to no ominous overarching music, and if there is music it is from the scenes themselves. The acting is highly realistic, leading one to often feel as though one is gazing at people in their lives through some impossible invisible camera, creating a sense beginning at voyeurism and ending in total immersion. There is very little editing, and when there is editing one can tell it is with the most reluctance. The cut is treated with great respect in this way, and the camera is treated with even more – the camera must capture as much as possible in order to fulfill the reality of the scene, be it with fixed shots or fully mobile, fluid shots. Read More…

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