Django Unchained – Review and Trailer
If you have been even slightly cognizant of cinema through the past couple decades, you are undoubtedly as aware of and literate in Quentin Tarantino‘s works as the rest of us are. He is a dominant voice in modern cinema, and perhaps the most closely watched and anticipated American filmmaker by the American public, not to mention those outside of the United States.
After exiting the theatre, a friend of mine commented, “Now he just has to pick another historical time and he can make a trilogy!” Whilst considering which other historical period and its dominant nemesis he could skewer (Roman occupation of Jerusalem and American occupation of Japan were two – be prepared to share royalties Mr. Tarantino!), implications of this statement seemed to become clear. The film is certainly a Tarantino film – it contains all of his characteristic style, his majestic control of the visuals and understanding of the language of cinema. However, ever since Kill Bill, his films seem to be little but blood-soaked, tongue-in-cheek genre films with absurd body counts. Read More…























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